Bordet the Builder (Can he mix it?)

Recording

I've been doing a remix of a short piece of instrumental music for an on-line acquaintence and kindred spirit (theremin player and electronic gadget abuser) over the last week or two. It's pretty much finished now, but I came up with a set of lyrics to the piece which I've been trying in vain to fit into the music. I've got the rhythm sorted, but can't seem to sing notes which fit in. This may be because the music isn't in a great key for my voice, or it may just be that my voice isn't fitting the music. I suspect the latter. It will be finished this week - one way or another. Not my greatest work, but it does have lots of ebow, some mandolin, and my first recorded theremin, albeit as a part of a wash of sound.

New Toys

I've managed to pick up a decent multi-input audio card for my PC at a good price from eBay. It will let me record up to 8 tracks simultaneously in high quality sound, which will be great for Lunacy board stuff, letting us swap instruments around (as we do) without worrying about changing connections, as well as allowing recording of a whole band at once.

Studio

Since starting this blog, any musical activities, apart from theremin and acoustic guitar, have required some digging around in boxes. I haven't had a dedicated music space to focus my writing, playing or recording, and that hasn't helped get things done as it's a hassle to set things up for the sake of a single song. I'm pleased that due to some changes going on around Chez Bordet, I will be getting a small studio. Whilst this won't be anything to give Abbey Road or Realworld any sleepless nights, and there really won't be room for cat-swinging, it will give me enough space to set up my recording gear and instruments in a more creative environment, ready for me to use whenever the muse starts tweaking those creative juices. It will still be a couple of months away before it is complete, but work has started and I hope it will be ready to go by the end of the summer.

Where did June go?

It seems like a couple of days ago that I last posted here, but looking at the date it turns out to be almost a month. So what on earth have I been doing?

To start with, the local band I'm doing sound engineer duties for had their first gig in the local pub - great turnout, with all tickets sold, and about 100 people in the audience. They went down really well - the vocalist really captured the crowd - he's a true entertainer in ways that are lost to a lot of live acts these days. They ended out cutting some of the slower songs out, as so many people were up and dancing, which is a good sign. Several parties expressed an interest in future bookings, so all in all a great result.

The sound was generally pretty good, though I was a bit too close to the band to get a good handle on the balance without squeezing through the audience, plus a buzz developed in the second set, which now appears to have been due to a speaker dying. Proceeds from the first gig will therefore be going towards a new PA system...

Not much on the Lunacy Board front either, due to circumstances out of our control, though I have gone through the recordings we made at the last session and started to work on some of the best bits.

Finally, I'm doing a bit of work on a collaborative track which is still under wraps, but hopefully should turn out to be interesting. More news on this soon - within the next week or two.

Summery Summary

The sun is out here and I've got 10 minutes to spare, so I've tidied up the Deserters front page, removing all the old 'Track of the Week' entries and replacing them with a single list of links to the files and links to each blog entry so you can read all about them.

So, if you've enjoyed a track or two, they're now all handy for downloading in a thrice for the full Deserters experience. What are you waiting for?

Miniminiminiminiminalistic

Final Track of the Week

Phill Up The Glass

Week 17 of the grand mp3 download extravaganza.

For the last 'Track of the Week' (at least for the next few months), here's another original track from the Bordet / Leigh spin-off album 'Mux-Ip'. You may have guessed from the name that it is inspired by the music of Philip Glass, in which case you'd be correct. However, the track started life quite differently as a study in using bird song in music. I transcribed the songs of a number of birds in the local area, with the plan of building up a whole piece of music, but on listening closely found that the repetition occuring naturally, when put in a musical context, ended up coming out like a minimalist piece, so I went the whole hog and filled out the birdsong themes with those repetitive-sounding arpeggios beloved of the minimalist movement.

This was one of the last pieces I wrote using the music computer I bought some years earlier (a Yamaha CX5M) and which required every note to be manually entered one at a time.

That's it from the Deserters archives for the time being. I hope you've enjoyed the music as much as I've enjoyed re-visiting the past. Normal service will now be resumed, so don't forget to check back for news of current activities (or use the RSS feed if you know about such things).

Click here to download.

Lunar Sea

A good week for music...

Engineering

The local band I'm doing sound engineer for are gearing up for a couple of gigs in the next month - they've build up a decent setlist now, and feel ready to perform in public. Should all be good fun, I hope. Final practice session next week, then the first gig after that.

Recording

Today also saw another get-together for the progressive project mentioned previously. I think it is safe to reveal we'll be calling ourselves...

The Lunacy Board

Still a two-piece line-up so far, but we're building towards a more cohesive vision of what we're looking to achieve. We recorded a number of pieces this afternoon - some complete improvisations, some based on riffs or chord changes we've been playing around with, and swapping instruments between guitar, bass, drums, keyboard and theremin. This was the first time I've played the theremin within an ensemble environment, as I usually either pratice solo or with a quiet backing track, and it quickly became clear that the monitoring system I had tacked together was not going to be as useful for theremin as it had been for the other instruments. You can afford to not hear the odd note or two when playing most instruments as long as fingers are in the right place, but with the theremin this simply results in out-of-tune notes. I will need to invest in a little monitor amp for the theremin in the future...

The hope is that we can put some of these together to start to form some longer pieces, which can then be further tweaked and potentially lyrics added. We'll be approaching our music from a couple of different angles including improvisation, music for film and music for the spoken word, which covers most of our interests at the moment.

Gear Hassles

I set out a selection of musical gear for us to use, but made the mistaken shortcut of using a previously unused recording package to record the music. For some reason the correct input to the computer was distorting, so I ended up using the microphone input, which is never a great idea. In this case it led to a pretty high level of background noise as well as our inputs being summed to mono. Not a problem for the recording stage, but it will make things awkward for the editing. A little lesson learned for the future, I think. Irrespective of this problem, I think we got some good base material recorded today, which will help to set us on our way.

Watch this space...

Why Doesn't Somebody Buy Him A Guitar?

Track of the Week

Soundtrack of a B-Movie

Week 16 of the grand mp3 download extravaganza.

In one of the periods between Deserters activity in the late 80's, Jennifer Leigh & I recorded a limited run album called 'Mux-Ip', which was a collection of cover versions and originals performed as a duo. This week's track, 'Soundtrack of a B-Movie', comes from that album (as does next week's track).

This was one of my earliest uses of multi-track recording, and was recorded using a mini keyboard (a Yamaha SHS-10) and a dodgy Strat copy guitar. The low-budget nature of this track is emphasised by the lack of the original recordings to take this from, so this is a 3rd generation cassette copy. It does, however, have a certain charm, despite its failings.

The piece is effectively a 6 minute guitar solo with cheesy auto-keyboard percussion, some synth pads and the occasional effect (tubular bells, radio clips, etc.)

Click here to download.

Complexion Like Mouldy Corned Beef

Track of the Week

Heavy Metal Ballad

Week 15 of the grand mp3 download extravaganza.

We're coming towards the end of this run of free downloadable goodies. Whilst there is more Deserters music in the archives, it's not yet in a form suitable for the web. I've probably got enough for another two weeks, so enjoy it while it lasts.

This week we have a song which has a title which is a bit of a misnomer - 'Heavy Metal Ballad' - as it is neither heavy metal, nor a ballad. It has a similar feel to 'One Night in the Back of a Fire Engine', but deals with the teen angst of spots, dental hygiene and body odour. Simple and upbeat, with a bit of a nasty streak. Lyrics by Lee Newe, once again, with music by yours truly.

Click here to download.

Polish the Blade

Track of the Week

The Complete 1978 Song

Week 14 of the grand mp3 download extravaganza.

This song has a similar feel to 'The Woman In Red', however this is certainly no love story, but a very sparsely arranged murder ballad, inspired by the story of Lizzie Borden. Music and Lyrics are by Lee Newe on this one, which has a bit of a strange history.

It started life as a heavy metal celebration of biker life; "Motorbike, Motorbike, Do what you like. I'm gonna pull a chick on Saturday Night." The original lyrics by Lee were put to music by yours truly, but never recorded. Probably just as well. I do still have a backing track for it somewhere, but the final song was a definite improvement on the original.

Click here to download.

Whistlin' Dixie

I've had more than my fair share of hillbilly / redneck experiences in this last week - must be something in the air.

Jerry Springer - The Opera

At the start of the week we treated ourselves to a night at the opera; 'Jerry Springer - The Opera', to be precise. It's had quite a bit of press about some of its content and indeed, the local holy Joes were out in force with leaflets condemning us all to hell for even setting eyes on it. But really, what a great show! It's probably closer to rock-opera than plain opera, but the very sound of trained opera singers belting out a string of obscenities is worth the ticket price alone. Add to that the fact that the content of your average Jerry Springer-type show is EXACTLY the sort of stuff that makes for all the best operas (yes Puccini and Verdi may be more high-brow, but they're writing about THE SAME STUFF) - adultery, murder, cross-dressing, journeys to Hell - it's all here.

As for the content the moaning Minnies are upset about, it's pretty tame stuff, and in fact most of what they're shouting about isn't even true (big surprise, there). Yes, they do a Jerry Springer show in Hell, with various biblical personalities including Jesus and God included, but it's looking at the battle between good and evil, the grey area in-between, and acheiving some kind of balance. It's more about the issues, values and choices that most religions claim to be about (basically be nice to each other), rather than the figureheads that organised religions end up concentrating on. And no - they don't have Jesus wearing a nappy.

So if you're not easily offended (by swear words - a lot of them - or the use of religious figures to tell a moral [kind of] tale) then I'd thoroughly recommend seeing this show. It is 'fall-off-your-seat' funny, with plenty of memorable songs - lines like "Dip me in chocolate and feed me to the lesbians", a coherent plot and a Zappaesque sense of humour. There's a trailer here.

Hayseed Dixie

I'm no great fan of AC/DC, nor of bluegrass music particularly, but when I was offered a ticket to see a band playing AC/DC in a bluegrass style, I just had to know more. These guys can play - guitar, mandolin, banjo, fiddle and bass - pretty much as well as any bluegrass band I've heard (not that many, admittedly), including a pretty nifty version of 'Duelling Banjos' from 'Deliverance' in their setlist.

You've just got to smile when they kick into 'Whole Lotta Rosie' or 'Highway to Hell' whilst dressed in authentic(ish) hillbilly gear and singing with that mountain-man drawl. It's an assault on the senses - 2 hours of high-octane (moonshine) finger-pickin' acoustic rock, but somehow it works. It really shouldn't, and yet it is disturbing how easily AC/DC (and other rockers like Aerosmith and Motorhead) translates into bluegrass, and the original version of 'Ace of Spades' sounds like a laid-back ballad compared to the speed these guys take it at.

Certainly not everybody's cup of tea, not even mine really, but definitely an entertaining night out and a must-see for lovers of heavy rock (especially AC/DC) wanting to try something new. Have a look here for more info, including a video clip of 'Ace of Spades'.

See y'all later, y'hear?

Eat Your Greens

Track of the Week

My Wee Green Buddy

Week 13 of the grand mp3 download extravaganza.

If you liked the 'Yet Another Granfalloon' pieces, then this short instrumental ditty should be of interest. It's an earlier attempt at a similar style, in this case purely electronic, owing much to Zappa's 'Jazz From Hell' album.

It takes its name from a series of books by Robert Rankin which feature (amongst many other things) a time-travelling sprout called Barry who takes up residence in Elvis Presley's brain and uses him to re-write history. Yep, it sounds pretty daft, and it, in fact, is. But it's a bit of fun, and if you like Douglas Adams and / or Frank Zappa then why not give it a try. Rankin's a bit of a Zappa / Beefheart fan, and loads of references appear all through most of his books, not least of which is the brilliantly titled "Sprout Mask Replica".

Click here to download.

The Drevulon Adventure

Track of the Week

Drevulon Poseiden

Week 12 of the grand mp3 download extravaganza.

Another track featuring the Newe/Bordet - lyrics/music writing combination, this track deals with urban alienation and the suppression of the man in the street. Guest stars Andy on guitar - a pretty nice solo - and features yours truly on vocals for a change.

That's us caught back up with schedule, so back to normal next week, hopefully.

Click here to download.

Montepaldé on the Keys

Track of the Week

Makkie's Rhythm

Week 11 of the grand mp3 download extravaganza.

Time to wind the clock back again... This track comes from our second single, 'Banned Practice', and is a solo keyboard piece performed by Montepaldé Pentel on the Farfisa organ. Some years later this piece would be digitally combined with samples from the 'Banned Practice' sessions to create an extended piece, but this is the original in its simple, lo-fi glory.

Click here to download.

Yet Again

Track of the Week

Yet Another Granfalloon (3rd movement)

Week 10 of the grand mp3 download extravaganza.

The final part of the Granfalloon piece exists in two versions. This one is a computer generated version used to write the score; the other is a recorded version with four guitar parts: electric, acoustic, bass and ebow. The live version is unfortunately dreadful, so this version is the closest the suite gets to completion. Without the real instruments the piece lacks the variety of parts 1 and 2, so hopefully I'll get round to re-recording it some day. Don't hold your breath, though.

Click here to download.

User Fiendly

Track of the Week

Brain Drain Rap

Week 9 of the grand mp3 download extravaganza.

OK, I missed a couple of weeks. Here's a concerted effort to fill the gap...

This song was written by Lee, and deals with the general user-unfriendliness of computers. This was written in a time before Windows, when the Sinclair empire was still king (in the UK, at least), hard disks cost about the same as a small car and held less data than a mobile phone does today. Things have improved since then. Or have they?

The song is written as a kind of cheesy rap, totally programmed into the computer with only a short acoustic (mandolin) part at the end, and represents an ongoing battle against the computerised world. The part of the computer is played by a ZX Spectrum speech synthesiser - cutting edge stuff in its day!

Click here to download.

E-Bow Heaven

Track of the Week

Mask of Deceit (excerpt)

Week 8 of the grand mp3 download extravaganza.

Here's last week's missing track... It is an EBow solo from my song 'Mask of Deceit' which deals with and was inspired by similar circumstances to Peter Hammill's excellent album, 'Over', i.e. the breakdown of a reasonably long-term relationship under less than honest conditions. It was an exercise in venting of anger and feelings of betrayal, but the vocal on it is just so awful that I always skip past to the good bit. Which is what we have here.

It's about a minute's worth of an EBow solo, backed by piano and electric guitar. It has a very languid and fluid style, and is probably one of my favourite bits of my own guitar work. For those not familiar with the EBow, it is a gadget which attempts to allow guitarists a bit more expression like a violinist, by creating a magnetic field close to the strings which allows the notes to sound continuously without fading away. Due to the way it works it also seems to generate overtones of its own, creating a quite recognisable sound. It has been used by many guitarists, usually as a special effect for a single track, but John 'Fury' Ellis (of the Stranglers and the K Group) uses it regularly, and it was also apparently used by Big Country as part of the 'guitars-as-bagpipes' sound.

Click here to download.

Moog Envy

Being a bit of a skinflint, almost all of my musical gear is either second-hand or end-of-line stock, but I've got a deep hunger for the new Moog synth. It's the last project from the legendary Dr Bob, and what a send-off it is. It definitely looks like a Minimoog for the neext century.

Not only does it have all the usual MIDI paraphenalia required of today's digital synths, but it has several CV inputs that are just begging to have my Etherwave Pro plugged into them. I want one of these. Really very much. But I know it will be at least a year away before I can even consider thinking about it.

I haven't forgotten about 'Track of the Week' either, just been incredibly busy this last week or so, and will make it up to you with 2 tracks for this week.

Improve your vocabulary with Chinese eBayers

I'm beginning to think the green clarinet was merely the tip of the iceberg of silliness. I nearly fell off my chair laughing at the "new eximious rare larruping blue electric guitar" I came across today. Surely somebody's taking the extreme mickey? I thought this was a joke, but looking the words up confirmed that they are genuine English. I feel humbled that my vocabulary can be expanded by someone with only a passing acquaintence of the language. Or maybe he just needs a somewhat less eclectic thesaurus.

Personally, I'm going to make every attempt to make use of these eximious words in my everyday larruping conversations.

I Suck at Singstar

I'm not a great singer. I'm not even a good singer. My voice isn't BAD, but I really need to concentrate to stay in tune, and I don't feel natural doing it. When I do concentrate and practice plenty, I can record a reasonable vocal for a song. Today I had a shot at the playstation game Singstar. In a nutshell, you sing into a microphone along with a well-known song and the game works out how well you stayed in tune and rhythm. Not very well at all, in my case.

The only song I did reasonably well in was 'Every Breath You Take', which I suspect was because I know it fairly well and it is reasonably close to my own limited vocal range. Less successful was 'Tutti Frutti', and I totally crashed and burned on 'Video Killed The Radio Star', but I was trying to sing the female part, two octaves lower than normal, so not entirely surprising.

I found I did better by ignoring the on-sceen guide, apart from the lyrics, as the notes shown are in proportion to the line being sung, so can be two words or a whole sentence; 1 bar or 4. One of those things that is probably easier to follow if you can't read music. What is interesting, though disappointing for me, is the read-out shows how far out from the notes you are singing. I found that I was wobbling around notes much more than I realised, though once I saw that I was able to address it.

I hope to have another shot soon - I think it could actually be a reasonable tool for improving pitch awareness, and helping my own singing skills (or apparent lack of them).

Theremin Update #1

I thought I'd put a little bit of blurb up here about my progress with the theremin. After a couple of months with no progress, mainly due to not being able to find somewhere suitable for it to live, I've now got into a good routine of having a practice at least once a day. So far I'm now getting the hang of aerial fingering, so I'm able to do some short runs without wobbling all over the place, and getting a feel for some common intervals. I can pull off an ascending scale, but descending is a bit more tricky for some reason. And finally, I'm able to play some basic and actually recognisable tunes.

I've done all this just by ear so far, with my acoustic guitar close at hand for occasional assistance, so my next step is going to be to get a sound source to try and play along with some pre-recorded music. Trying to keep in tune with another instrument could well prove to be more tricky than keeping in tune with myself. We shall see (hear). Hopefully, in another couple of weeks I should be ready to put some theremin parts down onto some tracks I have set aside, albeit pretty basic ones. That'll be the acid test.

My previous post about the clarinet has just been included on MusicThing - I'm quite honoured. Thanks Tom!

Who buys this stuff?

I don't want to get into the habit of posting items of weird-but-true instruments and other musical items - I'll leave that to the experts at (the very entertaining) MusicThing and others. I have to make an exception for this, I'm afraid.

The Fluorescent Green Clarinet

Why?

I was trawling around the shark-infested treasure trove that is eBay, looking for a little bargain, when I came across this item. A bright green clarinet. Wow. Got to have one of those! Or not.

The black tube of the beautiful green

The seller, a Mr jianada0377, is from China and has a wonderful way with words. So, once he's introduced his 'black tube...' he goes on to say "If you like Chinese culture and Chinese arts, please don't miss this item. As you know, the Chinese has long history around the world." Indeed. I'm sure thousands of years of Chinese culture have passed in order that the very pinnacle of artistic endeavour can be attained by crafting this fine instrument. He sums up by letting us know that "It will bring you and your family happy". It certainly made me smile. He has a whole range of products, including "The electricity guitar of the elegant white" and "Chinese kissable bran-new superb guitar" amongst others. However, leaving aside the results of an auto-translator gone haywire, it got me thinking.

What self-respecting classical clarinet player is going to turn up for a concert with one of these? Not too many, I'd wager. Okay, what about a jazz clarinettist? Not much more likely, I suspect. Well, it would look eye-catching for a rock clarinettist, but when did you last see one of them? No, nor I. So who is buying these things? Somewhere in China there's a factory churning the little critters out (just do a search on eBay for "green clarinet"), so there must be a market. And they can't just be toys - not only do they look like they might actually work, but they cost about £100 or more to post from China to the UK. Yeah, right.

[Update]

Amazingly nobody snapped this up, so it went unsold at £4.99 (plus £150 packaging, of course!). Looks like probably the same guy is (trying to) sell them under various names (just search for "black tube beautiful green" on eBay to see) starting at only 27p this time. "Pay attention to the color and the skill". Yes, indeed. And where on eBay would you look for this latest little gem? Why, 'Jewellery & Watches > Vintage & Antique Jewellery > Vintage Costume Jewellery > Pre-1837' - of course! It just gets better...