The Album's in Sight

We had a pretty long, and fairly intense, recording session today, getting drums, bass and lead vocals completed for all the remaining album tracks. Since we've done most of these in practices for over a year now it was not a case of learning things anew, but rather laying down the definitive takes. After a slightly creaky start we got well under way, with Sean adjusting to playing along with a click track on some songs - not something we've ever done before, but a necessary evil of doing the initial base tracks that I've been working on over the last couple of months.

We got some good recordings for the three 'big numbers'; "Performance Evolution" where we managed to navigate through several time signature changes and vocal styles, "Fairytale Propaganda" which we've tended to play too fast in the past, but settled on a more laid back tempo today, with a long building introduction partly inspired by Pink Floyd's "Shine on you Crazy Diamond" and the new song "Freeman" which came together quite naturally and took on a new life with bass and drums.

The two atmospheric spoken-work songs, "PKD Dum Dum" and "The Bell Curve" had a few layers of percussion and vocals added, which I'll be editing down to fit into the style of the music. "The Parallel Curve" also started life as a slow spoken-word thing, but we've tried a number of approaches to it over the last year without success. Today Sean started singing the lyrics at a much faster tempo and it fit well, so we quickly pulled together a rhythm part for him to sing along with and we finally had a recording of the song that actually works.

With all that put together, I have some further overdubs to add, then work can begin on mixing, so I'll probably not be reporting back on here until I have some completed songs to comment on (i.e. Hype!)

There will also be some lead-up PR work being done over the next few weeks to let people know what's coming from The Board, including the cover for the album, which is now complete and agreed and the ability to pre-order the album with a special incentive!

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Tags: The Lunacy Board, Quintilis, songs, Freeman, parallel, curve, PKD, Pink Floyd, Crazy Diamond, bell, curve, recording

Winning the Smile

I've just finished off the first of the three songs that have been worked on for the last week or so, 'The Winning Smile'. I ended up taking out all the midi tracks and keeping everything analogue - vocals, guitar, ukulele and the Crumar Performer string section - it sounds totally different to the first attempt.

Then, after posting this and looking through the lyrics to the song it dawned on me that I had missed a whole section out, which explained why the song had ended up about a minute shorter than I had expected.

Currently busy with the artwork for the new album...

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Tags: Lunacy Board, songs, winning, smile, crumar, performer, ukulele

Show and Tell

Thanks to the wonders of modern technology, those of you too tight to buy tickets, those too distant to travel, those too drunk to care and everybody else can now see The Lunacy Board's performance last week from the comfort of home.

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Tags: The Lunacy Board, Video, Glasgow, Classic Grand, Improvisation, Theremin

Going Live

This gig forms the grande finale of the theremin shindig I mentioned a while ago. I'll be part of the 'UK League of Thereminists' playing a few structured improvised pieces as part of a 'theremin orchestra'. There are a number of very good thereminists going to be attending, so well worth the money if you are in that neck of the woods this coming Sunday. Book soon, though, by clicking on the picture here.

More daunting for me will be the post-concert wind-down party, for which I'll be providing some of the music...

This will be the first time that the Lunacy Board material has been played live, albeit in a somewhat more spartan form than usual, as it will just be me playing guitar and singing with a looper and theremin to make things more interesting. The original plan was to use the yobstick as well, but I might limit this to just one or two songs due to the way the looper works, as the rhythm can become a bit too repetitive.

I have also dusted down a couple of old Deserters' numbers to include in the set, which will be fun, and for a few songs I will be joined by special guest stunt thereminists.

The whole event is being recorded and videotaped, so watch this space for more news early next week...

Moving Along...

We've had two more LB sessions recently; one short acoustic practice throwing ideas for songs around and a long and productive studio-based session. In the first of these we considered some ideas for possible inclusion in any live set we may do in the future. We have a fair bit of work ahead of us to get to the position where we'd feel ready to do a live gig, but it is a possibility that we might consider a short support slot at some point.

Our current feeling is that we would feature our own material, but have a few cover versions on hand to whip out according to the audience - e.g. for a dedicated progressive audience we might include a Jethro Tull or Rush cover, but for a more general audience we'd maybe think about something that has had some more airplay like Gabriel, The Who or Marillion, though still keeping within the progressive genre, more or less. We'll probably try out a range of possible covers over the next few practices we have, but don't want to get too bogged down in them when we have new material to play with.

The studio session was VERY productive, lasting all day and covering a total of 5 new songs, 1 old song, some more soundtrack work and Stockholm dialogue.

We started with The Man in the Boat, which is an old song of mine from years ago that we've stripped down and rebuilt. It deals with the temptation to play it safe and end up missing out on actually living life. It is a bit more downbeat the The Unofficial National Anthem, with an extended instrumental section in the middle which has a bit of a Pink Floyd feel to it. At the moment we've only done drums, guitar and vocals, but the structure is coming together well - we just need to practice it some more before committing it to a proper recording as there are some switches in the dynamics of the song that need to be tightened up.

We then moved onto Fairytale Propaganda which is a brand new song I've been working on over the last couple of months. It asks the question "what would fairytales be about 500 years later, if the characters written about were living now?", casting a critical eye over the less than noble way our 'fairytale' characters of the present day conduct themselves. The song builds slowly from a quiet instrumental introduction into our most outright rock song to date.

After these two fairly long songs we switched over to do some improvisational music with a view to including parts in the Stockholm soundtrack. Starting with a drum and bass backing we layered various solos, textures and effects over the top using guitar, keyboard and samples (including an old sample of the yobstick I came across). The results were much more avant-garde than our previous improvised music, closer to Zappa than anything else we've tried. It will need a fair bit of editing to make some of the layers work together, but there is definitely some unusual and interesting music in there.

After a bite to eat and a blether, it was back to work on some shorter songs, kicking off with Morning Rolls, which is a short song about bereavement (or traditional Scottish fare at the most literal reading of the lyric). It came together quite well with just vocal and guitar, though it is still in its early days and may change a bit in time.

The Parallel Curve was next up. This is a song about careers and insanity that doesn't really have any music yet, so we tried a few things out, mainly around a march-like rhythm and slide ebow guitar - kind of a rising and falling pulse over which the lyrics were half-sung, half-spoken. The idea being to have a number of non-fixed pitch instruments including the theremin and slide guitar and bass all providing a constantly shifting backing. Parts of this worked well, though some verses simply didn't come together properly, so it will need further work. The version we worked on was significantly different from my original demo attempt, and I suspect it will change as much again in future iterations.

A quick run through of Jim Crow was next - we tried this a while ago and it mutated from a choppy, almost Buddy Holly, style into a more laid back doo-wop number. This time around we went straight into the doo-wop and after a couple of false starts it was a nice bit of fun. I have some ideas for additional verses for it (it currently only has two which are repeated), and we need to agree on the backing 'oohs' and 'aahs' to make the vocals rock-solid as they need to be for this style of music.

The final song of the day was one I wrote for my better half earlier this year, called The Winning Smile. It's a happy little number about the power of a smile in a World with too few. I originally recorded it as an acoustic piece with just guitar and vocal, but we tried it as a full-on power ballad and it worked a treat.

To finish the day off we recorded a big chunk of Stockholm dialogue which I'll be working through over the next few weeks. The first part of the film (of the three episodes we have split it into) has been 'filmed' and is ready for dialogue and music to be added, so progress is good and it looks like we could have the first part ready for viewing in a month or two.

So, a good day all round, with plenty of things to take forward. I'll be putting a bit of the soundtrack work up on the website within the week, so keep an ear out for that.

Lunacy Launch

Happy New Year!

The Lunacy Board have now officially launched, with our first track "The Unofficial National Anthem" being available for download from our website at www.lunacyboard.com.

The song is an unusually upbeat number featuring a fairly standard rock base (drums, bass, guitars), layered vocals, a little theremin and a spot of organ. It is probably the most accessible music we've attempted so far, though there are enough weird things going on to appeal to more warped tastes (such as my own).

The new website will be our base of operations for the foreseeable future. As well as musical offerings, we'll be providing various other creative outpourings including poetry, prose and videos. As a small taster I've put on a test demo of a scene from our forthcoming drama "Stockholm" - watch out for more little nuggets in the future.

Wishing you all the best for 2007, with The Lunacy Board providing the soundtrack!

December Will Be Magic Again

We've managed to squeeze in a last Lunacy Board session before the end of the year, and I'm pleased to say that it was a bit of a blinder. Having had a few sessions now to settle into what we're doing and where we're going, we now have the luxury of just setting up and getting on with the business (and fun) of making some new music. First of all we kicked off with a second recording of 'The Unofficial National Anthem', which has been significantly extended since our first attempt a couple of months ago - this time around it has a wider dynamic range and a wider spectrum of sounds as well as heading more towards the progressive genre than the first version. The result is a fairly large number of sonic layers which I'll be editing and mixing down over the course of the next week or so to form our first public release.

We then followed this up with a first run through 'The Man In The Boat', which I haven't even finished writing yet. I've been working on it with just voice and acoustic guitar, so it was great to hear it come alive with drums and electric guitar. It's still pretty unpolished, with only a guide vocal (which was VERY ropey) and no bass or other accompaniment, but has given us a good starting point to work from.

Finally, we also tried a quick run-through of 'Jim Crow' which is at an even more embryonic stage - just a few choruses exist as I threw away the original verses. As I've been writing it, this song had a kind of Buddy Holly feel to it, with choppy acoustic chords and a fairly standard harmonic structure, but as we played the first chorus slowly through it picked up a swing rhythm, and backing vocals, resulting in a wonderful and most unexpected doo-wop style. Given the subject nature, or at least one aspect of it, this seems quite fitting, and hopefully we can pull it off when the rest of the song is written around it.

Hopefully my next post here will be to reveal our work to date. Stay tuned!

All Stand, Please

We had a good Lunacy Board session last weekend - first time using the new studio set-up, which worked out pretty well, though we didn't exactly put it all through its paces.

Sean brought a few ideas for lyrics and music, which we mulled over and mangled into the skeleton of a song. I think we managed to capture the intent of the original text, but the music went off in its own direction, as often happens. What we thought would be a deep and meaningful anti-anthem became a perfectly formed 3-minute pop tune, albeit with deeper than the average lyrics.

The piece ("The Unofficial National Anthem") features Sean on vocals and drums and yours truly on guitar and bass, which was all recorded fairly painlessly with a couple of back-up takes just in case. The result was very pleasing, and positively catchy, if a little ragged around the edges. We're planning on doing some rehearsal of it before the next session to tighten it up before re-recording, as well as trying something more suited to our musical roots in a Can / Robert Wyatt style.

Studio Progress...?

One month later and things are starting to come together. Hopefully.

Studio Bordet (or whatever it will be called) is on the road to construction - it has power, light and walls. The next step is building a frame to hold PC, keyboard, mixing desk and various other bits of musical gear. With the addition of plasterboard, sound insulation and flooring there is just under 2m² of useful floorspace, which is even less than I had hoped for, but should still provide enough space to have a usable setup and be able to play bass or guitar in the room. Playing the theremin in there will definitely not work, though, due to lack of space, so I'll still need to cart it around the house depending on whether I'm practicing or recording.

I did a recording recently for the local band using my new multi-input interface which worked out really well (apart from running out of disk space), but having listened to the mix I initially put together it has become painfully clear that I need a decent set of monitoring speakers. I have a good set of headphones, but mixing on 'phones is never a good idea, so I try to get a reasonable sound using them, then switch to my PC speakers, which are pretty good quality for a PC, but still far from HiFi. The mix I ended up with sounded pretty good on the PC, great on the 'phones, but unfortunately lousy in the car or through the little box we have in the kitchen. I knew the day would come when I'd have to fork out for decent speakers - it's one of the things you really can't skimp on (like microphones) to get a good sound, but it's not as exciting as the wonderful wealth of fancy studio toys available. So... Some research, testing and budget-balancing later, I've finally bought a new set of speakers, and the winners are... Tannoy Reveals.

Revealing

I got a pair at a good price from good old eBay, and they're sitting in their box waiting to become centrepieces of the new studio, such as it is. Apart from the great balance between sound quality, tonal range and price, they have a couple of other 'feelgood' bonuses. The Tannoy factory is about an hour's drive from here, so supporting local business is good. I went on a fantastic guided tour there back in my early days of getting interested in sound engineering and have two lasting memories. Firstly, getting to spend a few minutes in their anechoic chamber - a really weird feeling having NO echoes at all, and particularly disorientating when they shut off the lights (to complete darkness) and you realise how much of your balance is dictated by audio and visual cues. Secondly was getting a demo of their top-of-the-range speaker systems at full tilt - revealing a level of detail in the music that I simply hadn't heard through normal speakers.

Plus, what's good enough for Mr Keneally is good enough for me!

In other news - I have finished my theremin/ebow remix and look forward to hearing the final album - details to follow soon, I hope. I ended up submitting two versions - one with vocals and another without - on subsequent listenings the vocal-free version is more pleasing to the ear!

Bordet the Builder (Can he mix it?)

Recording

I've been doing a remix of a short piece of instrumental music for an on-line acquaintence and kindred spirit (theremin player and electronic gadget abuser) over the last week or two. It's pretty much finished now, but I came up with a set of lyrics to the piece which I've been trying in vain to fit into the music. I've got the rhythm sorted, but can't seem to sing notes which fit in. This may be because the music isn't in a great key for my voice, or it may just be that my voice isn't fitting the music. I suspect the latter. It will be finished this week - one way or another. Not my greatest work, but it does have lots of ebow, some mandolin, and my first recorded theremin, albeit as a part of a wash of sound.

New Toys

I've managed to pick up a decent multi-input audio card for my PC at a good price from eBay. It will let me record up to 8 tracks simultaneously in high quality sound, which will be great for Lunacy board stuff, letting us swap instruments around (as we do) without worrying about changing connections, as well as allowing recording of a whole band at once.

Studio

Since starting this blog, any musical activities, apart from theremin and acoustic guitar, have required some digging around in boxes. I haven't had a dedicated music space to focus my writing, playing or recording, and that hasn't helped get things done as it's a hassle to set things up for the sake of a single song. I'm pleased that due to some changes going on around Chez Bordet, I will be getting a small studio. Whilst this won't be anything to give Abbey Road or Realworld any sleepless nights, and there really won't be room for cat-swinging, it will give me enough space to set up my recording gear and instruments in a more creative environment, ready for me to use whenever the muse starts tweaking those creative juices. It will still be a couple of months away before it is complete, but work has started and I hope it will be ready to go by the end of the summer.

The Drevulon Adventure

Track of the Week

Drevulon Poseiden

Week 12 of the grand mp3 download extravaganza.

Another track featuring the Newe/Bordet - lyrics/music writing combination, this track deals with urban alienation and the suppression of the man in the street. Guest stars Andy on guitar - a pretty nice solo - and features yours truly on vocals for a change.

That's us caught back up with schedule, so back to normal next week, hopefully.

Click here to download.

E-Bow Heaven

Track of the Week

Mask of Deceit (excerpt)

Week 8 of the grand mp3 download extravaganza.

Here's last week's missing track... It is an EBow solo from my song 'Mask of Deceit' which deals with and was inspired by similar circumstances to Peter Hammill's excellent album, 'Over', i.e. the breakdown of a reasonably long-term relationship under less than honest conditions. It was an exercise in venting of anger and feelings of betrayal, but the vocal on it is just so awful that I always skip past to the good bit. Which is what we have here.

It's about a minute's worth of an EBow solo, backed by piano and electric guitar. It has a very languid and fluid style, and is probably one of my favourite bits of my own guitar work. For those not familiar with the EBow, it is a gadget which attempts to allow guitarists a bit more expression like a violinist, by creating a magnetic field close to the strings which allows the notes to sound continuously without fading away. Due to the way it works it also seems to generate overtones of its own, creating a quite recognisable sound. It has been used by many guitarists, usually as a special effect for a single track, but John 'Fury' Ellis (of the Stranglers and the K Group) uses it regularly, and it was also apparently used by Big Country as part of the 'guitars-as-bagpipes' sound.

Click here to download.

I Suck at Singstar

I'm not a great singer. I'm not even a good singer. My voice isn't BAD, but I really need to concentrate to stay in tune, and I don't feel natural doing it. When I do concentrate and practice plenty, I can record a reasonable vocal for a song. Today I had a shot at the playstation game Singstar. In a nutshell, you sing into a microphone along with a well-known song and the game works out how well you stayed in tune and rhythm. Not very well at all, in my case.

The only song I did reasonably well in was 'Every Breath You Take', which I suspect was because I know it fairly well and it is reasonably close to my own limited vocal range. Less successful was 'Tutti Frutti', and I totally crashed and burned on 'Video Killed The Radio Star', but I was trying to sing the female part, two octaves lower than normal, so not entirely surprising.

I found I did better by ignoring the on-sceen guide, apart from the lyrics, as the notes shown are in proportion to the line being sung, so can be two words or a whole sentence; 1 bar or 4. One of those things that is probably easier to follow if you can't read music. What is interesting, though disappointing for me, is the read-out shows how far out from the notes you are singing. I found that I was wobbling around notes much more than I realised, though once I saw that I was able to address it.

I hope to have another shot soon - I think it could actually be a reasonable tool for improving pitch awareness, and helping my own singing skills (or apparent lack of them).

White Silk

Track of the Week

White Silk

Week 7 of the grand mp3 download extravaganza.

From the ridiculous to the sublime. White Silk was written by me after seeing a mysterious dark-haired young lady, dressed all in white, walking towards the water in the distance. Viewed from the other side of a small wooded area, she seemed to appear and disappear as she passed behind the trees, like a scene from a Brontë Novel.

I wrote 3 pieces of music, all aiming to be mysterious and sad, and bundled them into 'The White Silk Suite'. White Silk itself is the middle of the three pieces and has lyrics, unlike the other two.

Getting self-critical for a moment, I have to say that I have a bit of a love-hate relationship with this song. I love the simplicity of very basic acoustic guitar and clear voice (Jennifer Leigh provides vocals here), but feel it's still missing something. I love some of the imagery in the lyrics, but some of the words make me cringe. All in all, not a classic, but it does have a certain attraction. One for further work in the future, should the muse dictate.

And yes, the chord progression does borrow a section from Jethro Tull's "We Used To Know", but it's not as blatant as "Hotel California". Is it?

Click here to download.

Yet Another...

Track of the Week

Yet Another Granfalloon (2nd movement)

Week 5 of the grand mp3 download extravaganza.

No, I hadn't forgotten about this week's tune, but some positive comments about part 1 of Granfalloon have inspired me to re-think my choice and use part two instead.

Part 2 of this piece was composed in the same manner as part one, and shares certain common features, but is written for percussion and sampled vocals, This was very obviously inspired by Frank Zappa's Jazz From Hell, with plenty of fast percussive runs and various bent vocal belches and snorks.

Click here to download.

Red Hot

Track of the Week

The Woman In Red

Week 4 of the grand mp3 download extravaganza.

Both Lee and I have written 'Mysterious Woman in Colour X' songs for some reason. Mine was called 'White Silk', and may make its way here eventually. Lee's song was called 'The Woman In Red' and is probably just about the slowest and most ballad-like song the Deserters recorded. It was recorded in a single shot with just Lee and myself featured, though I later went back and recorded some extra keyboard backing to fill out the sound a little more.

Click here to download.

Happy New Year

Survived another round of Christmas & Hogmannay festivities?

Yes - and welcome to 2006. Eventually. I'm having computer problems by the handful - one thing gets fixed and another gremlin pops its ugly little head into the middle of the hand-crafted box of wires which connects me to the online World. The end is in sight, but I'm not taking anything for granted... Making the switch away from the Gates empire into Linuxland - it's either going to be a breath of fresh air or a stream of expletives following a trashed PC. Digits are well and truly crossed.

Some good news, though. I wrote a new song, "12 Years of Christmas", and did a fairly basic recording of it. It's a bit slow and needs a little jazzing up, but most of my gear is still in storage for the time being, so it's just bass, guitar and vocal for the moment. I'm going to set myself a target (or new year's resolution, if you like that sort of thing) of a new song a month. Whether that is likely to happen is another matter, but it would be good if I could get some more new material under my belt.